Saturday 3rd September
After a few minor setbacks the much anticipated Sonner EP launch had finally arrived, and I was excited! The Little Room at Independent, Sunderland, was host for the night, and there was already a good crowd taking shape. First up was Fatfield-based singer/songwriter Black Goose. There was quite a bit of narration and I was a little apprehensive, as I've often witnessed solo acoustic artists struggle against such noise. But this wasn't to be the case. This guy had a really distinctive, unusual and clear vocal, which dominated the room. His second song, for me, was very reminiscent of the Joy Division classic 'Love Will Tear us Apart', a song which I happen to love. Next number 'Polka Dot' was introduced as an acoustic version of a song by the artists' former band, You and Yourself. The set was quite varied, with songs different in both tempo and beat, and boy could he play guitar.
It was now time for headliners Sonner to take the stage. Opening with new song 'Back to the Border', they soon had the up-for-it crowd onside. The band are a four piece from Sunderland and surrounding County Durham, who describe themselves as "rock and roll with heart and soul", and that comment describes their music to a tee. They then played 'The Call', the first track on their new self-titled EP. Going on to play the crowd-pleasing 'Horizon', which didn't make the final cut, much to my surprise. They went on to play another favourite of mine, 'We Go Forth Tonight', dedicating it to David Burn, former Detroit Social Club frontman and producer of the EP, who had came along on the night to catch the lads live. The brooding 'Prison Man', the second song on the EP, followed. This is my top Sonner song of choice (not least of all because it reminds me of Depeche Modes' 'Personal Jesus'). By now both audience and band were in high spirits, and singer Mick left the stage and ploughed into the crowd, causing a great stir, especially when he adopted a real rock stance and brandished his guitar above his head, whilst hammering away on the strings! It had taken a while for this night to happen, but, in the end it was well worth it. These lads have really worked hard, have some great anthemic tunes and are really entertaining. I would suggest that you buy the EP (available from http://www.amazingtunes.com/users/sonner) and try to catch them next time they play live.
Tuesday, 13 September 2011
Sunday, 4 September 2011
Symphonic Pictures
Wednesday 10th August
I was really looking forward to this gig, as all of the artists playing I had seen before and enjoyed. First up was The Matadors, a four piece band from Newcastle. I first saw these guys supporting Detroit Social Club, at Plugged Inn earlier in the year. With an almost flamenco guitar-driven sound reminiscent of Last Shadow Puppets/Arctic Monkeys, I was reminded how much the singer sounded like Alex Turner, so much so that the second song in their set could have easily been an Arctic Monkeys tune. Although the crowd was small, the band semed to be well received. These guys don't have much between-song banter, they just dive from one song to another with a minimum of fuss. When they went into their 5th number, I was reminded of a cross between the Doors and Nick Cave, neither being a bad thing as I am a fan of both. They finished with a new one, 'Face Like Thunder' which was brilliant. Well worth checking out.
Next up was Sunderland singer/sonwriter, The Lake Poets, to whom I am no stranger. Martin opened with 'Rain' and then went on to play my favourite, 'Windowsill'. Next up was 'Friends' (about "friends who are
tossers"). Martin always likes to have a bit of banter between songs usually explaining the inspiration behind the lyrics. For the last few songs he was joined on stage by a bass player and finished with 'City By the Sea', which has become his regular set closer and always gets the audience going as it is a really catchy number.
The next act on stage was duo Gallery Circus, who I had only seen for the first time a few weeks earlier, and was I excited about seeing them again as they had totally blown me away first time around. The duo are obviously influenced by Muse, who just happen to be one of my favourite bands. When listening to Gallery Circus, it is hard to believe that there are only two of these guys. I didn't know one drum kit and one guitar could create so much beautiful noise. Launching into 'Outlaw Killer', the frontman announced that the song was due out on video soon. This song reminded me of a Darkness hit (of which the name escapes me!). These lads have great stage presence, and are fantastic showmen. I've never seen anyone take command of drums the way this drummer does, sitting at, standing up and running around his kit like a man posessed, whilst his twin brother attacks the guitar and belts out the vocals. The next song, 'Hands up for the Hipsters', was slightly different to the previous songs, with an underlying funky beat. You can check these guys out at gallerycircus.com, and I would strongly recommend that you give them a listen. Even better, catch them live.
It was now time for the headline act - Symphonic Pictures, and there was a really good crowd in the room. Two of the band are former members of the now defunct Detroit Social Club, but there is no detectable DSC influence. In fact, there sound is really psychedelic and very late era Beatles with guitarist Johnny and keyboard player Dale, sharing vocal duties. This was the third time that I had seen this band and, their number swells each time. Tonight being joined by a saxophinist, who also contributed vocals on the third song. For me, the saxophone really brought another dimension and some depth to the songs and worked well. Next they played 'Bootstrap Paradox', which has become my favourite, and could have come straight from a Beatles album. This trippy tune makes me feel like I'm on something! An imaginary, accompanying video featuring spinning psychedelic wheels goes through my mind whenever I hear it! This band is just so different from any other act around right now. Again, I can't recommend them enough.
It has to be said that, for me, this gig showcased some cracking north east talent, which seems to be flourishing and getting stronger all the time. And long may it continue.
I was really looking forward to this gig, as all of the artists playing I had seen before and enjoyed. First up was The Matadors, a four piece band from Newcastle. I first saw these guys supporting Detroit Social Club, at Plugged Inn earlier in the year. With an almost flamenco guitar-driven sound reminiscent of Last Shadow Puppets/Arctic Monkeys, I was reminded how much the singer sounded like Alex Turner, so much so that the second song in their set could have easily been an Arctic Monkeys tune. Although the crowd was small, the band semed to be well received. These guys don't have much between-song banter, they just dive from one song to another with a minimum of fuss. When they went into their 5th number, I was reminded of a cross between the Doors and Nick Cave, neither being a bad thing as I am a fan of both. They finished with a new one, 'Face Like Thunder' which was brilliant. Well worth checking out.
Next up was Sunderland singer/sonwriter, The Lake Poets, to whom I am no stranger. Martin opened with 'Rain' and then went on to play my favourite, 'Windowsill'. Next up was 'Friends' (about "friends who are
tossers"). Martin always likes to have a bit of banter between songs usually explaining the inspiration behind the lyrics. For the last few songs he was joined on stage by a bass player and finished with 'City By the Sea', which has become his regular set closer and always gets the audience going as it is a really catchy number.
The next act on stage was duo Gallery Circus, who I had only seen for the first time a few weeks earlier, and was I excited about seeing them again as they had totally blown me away first time around. The duo are obviously influenced by Muse, who just happen to be one of my favourite bands. When listening to Gallery Circus, it is hard to believe that there are only two of these guys. I didn't know one drum kit and one guitar could create so much beautiful noise. Launching into 'Outlaw Killer', the frontman announced that the song was due out on video soon. This song reminded me of a Darkness hit (of which the name escapes me!). These lads have great stage presence, and are fantastic showmen. I've never seen anyone take command of drums the way this drummer does, sitting at, standing up and running around his kit like a man posessed, whilst his twin brother attacks the guitar and belts out the vocals. The next song, 'Hands up for the Hipsters', was slightly different to the previous songs, with an underlying funky beat. You can check these guys out at gallerycircus.com, and I would strongly recommend that you give them a listen. Even better, catch them live.
It was now time for the headline act - Symphonic Pictures, and there was a really good crowd in the room. Two of the band are former members of the now defunct Detroit Social Club, but there is no detectable DSC influence. In fact, there sound is really psychedelic and very late era Beatles with guitarist Johnny and keyboard player Dale, sharing vocal duties. This was the third time that I had seen this band and, their number swells each time. Tonight being joined by a saxophinist, who also contributed vocals on the third song. For me, the saxophone really brought another dimension and some depth to the songs and worked well. Next they played 'Bootstrap Paradox', which has become my favourite, and could have come straight from a Beatles album. This trippy tune makes me feel like I'm on something! An imaginary, accompanying video featuring spinning psychedelic wheels goes through my mind whenever I hear it! This band is just so different from any other act around right now. Again, I can't recommend them enough.
It has to be said that, for me, this gig showcased some cracking north east talent, which seems to be flourishing and getting stronger all the time. And long may it continue.
Wednesday, 1 June 2011
Instamatic for the People Exhibition Opening Night
Wednesday 25th May
I arrived at the Cluny to see a section of its walls adorned with framed pictures. On closer inspection, six of the seven frames housed 33 instamatic photos and the 7th, 28 photos, all of musicians from across the region. As I wandered around I found it great fun spotting familiar faces and playing "Guesss Who", as I tried to match the musicians with their respective bandmates. It was also very obvious that a huge amount of time and patience had been lovingly spent on this project. All of the pics had been taken on a Fuji Instamatic camera (the modern day equivalent of the Polaroid model that every household owned back when I was a teenager in the late 70's!) The project, brainchild of local photographer David Wala, has been a year in the making. Having spent countless evenings frequenting gigs around the North East capturing local musicians, off-stage and "off duty". With the help of his partner, Jill, the precisely mounted and framed images had been carefully placed and perfecltly suited their surroundings. The Cluny being a prestigious music venue in Newcastle, and somewhat of a "spirtual home" for many of those pictured. In conjunction with the exhibition there is a book available, which for any photography enthusiast or local music fan, is an absolute "must have" collectors piece.
For the opening of the exhibition, David enlisted the help of some of his musician friends, to play (and DJ) for the evening to raise money for the Teenage Cancer Trust. He'd also roped in his friend 'Viz' co-creator, Simon Donald, to host the evening. Simon started the evening with a few acoustic songs to warm up the ever-growing crowd, finishing with a cover of Lindisfarnes' 'Meet me on the corner'. Next to take the stage was local singer/songwriter, Gem Andrews. This girls voice was fantastic and different to other local solo artists, with a country/folkie sound that I found very refreshing. The one thing that really annoyed me was the level of noise around the room during her performance. I really wish that if people don't want to listen to the singer, they leave instead of trying to compete with the artist to be heard.
Next up were Brilliant Mind, who I had seen only days previously, at the Other Rooms, and had really liked their sound. Tonight, however, they were playing as a three piece instead of their usual full band. These guys remind me of early Pulp - the singer has a definite 'Jarvis' thing going on. They sing songs about what they can relate to, such as being on the dole, at which point the singer engaged in a bit of banter with the audience, saying they were "the best days of his life" and thoroughly recommending it! The frontman also payed tribute to David Wala and thanked him for the support he provides to the local musicians. They finished with a Velvet Underground cover, 'Candy Says', to the delight of the crowd.
The following act, Symphonic Pictures, includes two former members of Detroit Social Club. I was very excited to see what they were going to sound like. This was their first gig , and as the four piece took their places on stools, I realised that this was not what I was expecting. It was strange to see former keyboard player, Dale, as a frontman. Their second song had a bit of 60's sound going on, with haunting guitar sounds. The next song 'Moon' saw Jonny Bond, (the other DSC member) take on vocal duties. I loved this song but have to say that my favourite in the set was 'Bootstrap Paradox', a song that would not have been out of place on the Beatles best of 'Blue Album'. This band just blew me away, and from the resounding cheers in the room, I don't think I was alone.
The headliner for the evening was The Greeting Committee, one of my newest favourite bands. Although they are influenced by Oasis (a band I'm not particularly keen on) their psychedelic/indie-blues sound is something I love. At times when I watch singer Jon, I am reminded of a young Roger Daltery. This was now the third time that I had seen the band, and they just get better every time. If you get the opportunity, go and see these guys, they are real showmen. Although it was late there was still a good crowd in showing their support for both the musicians and David. Simon Donald came back on stage to thank everyone involved. You can catch the exhibition at the Cluny for the next month and it's well worth a look. All profit from the book will go to the Teenage Cancer Trust and can be purchased online at http://www.blurb.com/bookstore/detail/2204947
I arrived at the Cluny to see a section of its walls adorned with framed pictures. On closer inspection, six of the seven frames housed 33 instamatic photos and the 7th, 28 photos, all of musicians from across the region. As I wandered around I found it great fun spotting familiar faces and playing "Guesss Who", as I tried to match the musicians with their respective bandmates. It was also very obvious that a huge amount of time and patience had been lovingly spent on this project. All of the pics had been taken on a Fuji Instamatic camera (the modern day equivalent of the Polaroid model that every household owned back when I was a teenager in the late 70's!) The project, brainchild of local photographer David Wala, has been a year in the making. Having spent countless evenings frequenting gigs around the North East capturing local musicians, off-stage and "off duty". With the help of his partner, Jill, the precisely mounted and framed images had been carefully placed and perfecltly suited their surroundings. The Cluny being a prestigious music venue in Newcastle, and somewhat of a "spirtual home" for many of those pictured. In conjunction with the exhibition there is a book available, which for any photography enthusiast or local music fan, is an absolute "must have" collectors piece.
For the opening of the exhibition, David enlisted the help of some of his musician friends, to play (and DJ) for the evening to raise money for the Teenage Cancer Trust. He'd also roped in his friend 'Viz' co-creator, Simon Donald, to host the evening. Simon started the evening with a few acoustic songs to warm up the ever-growing crowd, finishing with a cover of Lindisfarnes' 'Meet me on the corner'. Next to take the stage was local singer/songwriter, Gem Andrews. This girls voice was fantastic and different to other local solo artists, with a country/folkie sound that I found very refreshing. The one thing that really annoyed me was the level of noise around the room during her performance. I really wish that if people don't want to listen to the singer, they leave instead of trying to compete with the artist to be heard.
Next up were Brilliant Mind, who I had seen only days previously, at the Other Rooms, and had really liked their sound. Tonight, however, they were playing as a three piece instead of their usual full band. These guys remind me of early Pulp - the singer has a definite 'Jarvis' thing going on. They sing songs about what they can relate to, such as being on the dole, at which point the singer engaged in a bit of banter with the audience, saying they were "the best days of his life" and thoroughly recommending it! The frontman also payed tribute to David Wala and thanked him for the support he provides to the local musicians. They finished with a Velvet Underground cover, 'Candy Says', to the delight of the crowd.
The following act, Symphonic Pictures, includes two former members of Detroit Social Club. I was very excited to see what they were going to sound like. This was their first gig , and as the four piece took their places on stools, I realised that this was not what I was expecting. It was strange to see former keyboard player, Dale, as a frontman. Their second song had a bit of 60's sound going on, with haunting guitar sounds. The next song 'Moon' saw Jonny Bond, (the other DSC member) take on vocal duties. I loved this song but have to say that my favourite in the set was 'Bootstrap Paradox', a song that would not have been out of place on the Beatles best of 'Blue Album'. This band just blew me away, and from the resounding cheers in the room, I don't think I was alone.
The headliner for the evening was The Greeting Committee, one of my newest favourite bands. Although they are influenced by Oasis (a band I'm not particularly keen on) their psychedelic/indie-blues sound is something I love. At times when I watch singer Jon, I am reminded of a young Roger Daltery. This was now the third time that I had seen the band, and they just get better every time. If you get the opportunity, go and see these guys, they are real showmen. Although it was late there was still a good crowd in showing their support for both the musicians and David. Simon Donald came back on stage to thank everyone involved. You can catch the exhibition at the Cluny for the next month and it's well worth a look. All profit from the book will go to the Teenage Cancer Trust and can be purchased online at http://www.blurb.com/bookstore/detail/2204947
Saturday, 28 May 2011
COLOURS Charity Gig
Saturday 14th May
Tonights gig was in aid of Children North East and I hoped there was going to be a good crowd, as there was some cracking talent going to be adorning the stage. Having arrived just as the first act was finishing, my first real taste of the evenings' musical menu was a four piece called Stacie James. The band opened with Ceelo Greens' recent hit 'F... You', swiftly followed by 'Hella Good', another cover, this time by No Doubt. The female singer had a really powerful voice, and I would have liked to hear something that they had written themselves. The last song, old standard 'Stand By Me' was performed well, but I have to say that I'm not really into covers bands, and perhaps the next time I see them they will have something a little more original.
Next on stage was a six piece band from Newcastle, 'The Greeting Committee'. Once they got started, I recalled that I'd seen these guys perform before. They have just signed their first record deal and hope to release an album in the next eight months. With their psycedelic, bluesy rock sound, they reminded me of early Oasis. Singer Jon is a great frontman, confident with lots of energy and Ian Brown posturing. I looked around the crowd and noticed their approval in the form of mass nodding and foot tapping. They appeared to be going down really well. The singer also had a good bit of banter going on inbetween songs, reminding people that it was a charity gig, and to dig their hands in their pockets. Their third and fourth tracks, I thought, were reminiscent of Detroit Social Club. No disrespect to the band, but I thought the sound quality was quite poor. By the next track I was reminded of not only Oasis but Cooper Temple Clause. They dedicated the next track to 'Charlotte' and slowed the pace right down. I would really recommend going to see this lot if you get the opportunity. Although I've never been a massive Oasis fan, I really enjoy watching and lisening to this band and can't wait to catch them again.
Next to grace the stage was a band from Leicester, 'All the Young'. this four piece band hit the stage running, with masses of energetic drum and guitar, which really is my kind of thing. The singer was, perhaps ill-advisedly, sporting a pair of very dark Ray Bans in the dimly lit venue and reminded me of a young Roy Orbison, although I doubt this was the look he'd had in mind! Their next song 'Here to Stay' was reminisent of the Doves. I was looking around and was very disappointed to see that there wasn't a particularly good turnout. These lads. who are signed to Warner Brothers, played their new single 'The First Time'. Again, just as the previous band, the singer reminded people that it was a charity gig. I would really like to catch All the Young again, and hope that I don't have to wait too long.
Next up were local heroes, the 'Lake Poets' (and friends). This was going to be a treat for me. As a regular follower, I was excited to see who was going to be 'assisting'. Martin, aka Lake Poets, opened with 'Rain'. The next song, 'Friends', saw the arrival of more people, and at Martins request, the crowd moved forwards. On the next song, Martin was accompanied by local singer/song writer, Morris Ford on guitar. By the following two tracks, 'Edinburgh' and 'Leaving Do' (a Nev Clay cover), harmonica player, Steve Calder, had joined the boys on stage. There was even more musical collaborations to join the now growing throng of musicians, and I couldn't believe how much of a transformation it made to the usually solo artists' songs. They went on to play a catalogue of Lake Poet songs including 'Shipyards', a song dear to Martin as he wrote this for his grandfather who had passed away. For the last tune the headliners of the night, Chased By Wolves, also joined the entourage on stage as they performed 'City By the Sea'. By this point there was a great buzz around the room and people seemed to be really enjoying themselves. It was great to see the mutual respect and support among these musicians without trying to upstage one another.
Just before the last act of the night, (the aforementioned Chased By Wolves), organiser Chris Atkinson, or Aky as he is known, thanked everyone for their support, to a hail of cheering. Finally, the last band entered the stage. These guys have a really unique sound and don't resemble anyone that is around at the moment. When listening to them with their American Southern style vocals, it is hard to believe that you're not in a bar in Louisianna, sipping bourbon. They opened with 'Black Horse', which got the crowd dancing around and really enjoying themselves. For the next number, 'Be My Love', Steve Calder once again took the stage for harmonica duties. The unique haunting guitar sound on this track makes the hairs on the back of my neck stand up. The last song of the evening 'Lost at Sea', a rockabilly, country number had several couples in the audience really going for it, in a dancing sense. A triumphant end to a superb nights' entertainment...and all for a great cause.
I can't recommend the local North East music scene enough and I feel very priveliged to be able to attend and support such wonderful talent.
Tonights gig was in aid of Children North East and I hoped there was going to be a good crowd, as there was some cracking talent going to be adorning the stage. Having arrived just as the first act was finishing, my first real taste of the evenings' musical menu was a four piece called Stacie James. The band opened with Ceelo Greens' recent hit 'F... You', swiftly followed by 'Hella Good', another cover, this time by No Doubt. The female singer had a really powerful voice, and I would have liked to hear something that they had written themselves. The last song, old standard 'Stand By Me' was performed well, but I have to say that I'm not really into covers bands, and perhaps the next time I see them they will have something a little more original.
Next on stage was a six piece band from Newcastle, 'The Greeting Committee'. Once they got started, I recalled that I'd seen these guys perform before. They have just signed their first record deal and hope to release an album in the next eight months. With their psycedelic, bluesy rock sound, they reminded me of early Oasis. Singer Jon is a great frontman, confident with lots of energy and Ian Brown posturing. I looked around the crowd and noticed their approval in the form of mass nodding and foot tapping. They appeared to be going down really well. The singer also had a good bit of banter going on inbetween songs, reminding people that it was a charity gig, and to dig their hands in their pockets. Their third and fourth tracks, I thought, were reminiscent of Detroit Social Club. No disrespect to the band, but I thought the sound quality was quite poor. By the next track I was reminded of not only Oasis but Cooper Temple Clause. They dedicated the next track to 'Charlotte' and slowed the pace right down. I would really recommend going to see this lot if you get the opportunity. Although I've never been a massive Oasis fan, I really enjoy watching and lisening to this band and can't wait to catch them again.
Next to grace the stage was a band from Leicester, 'All the Young'. this four piece band hit the stage running, with masses of energetic drum and guitar, which really is my kind of thing. The singer was, perhaps ill-advisedly, sporting a pair of very dark Ray Bans in the dimly lit venue and reminded me of a young Roy Orbison, although I doubt this was the look he'd had in mind! Their next song 'Here to Stay' was reminisent of the Doves. I was looking around and was very disappointed to see that there wasn't a particularly good turnout. These lads. who are signed to Warner Brothers, played their new single 'The First Time'. Again, just as the previous band, the singer reminded people that it was a charity gig. I would really like to catch All the Young again, and hope that I don't have to wait too long.
Next up were local heroes, the 'Lake Poets' (and friends). This was going to be a treat for me. As a regular follower, I was excited to see who was going to be 'assisting'. Martin, aka Lake Poets, opened with 'Rain'. The next song, 'Friends', saw the arrival of more people, and at Martins request, the crowd moved forwards. On the next song, Martin was accompanied by local singer/song writer, Morris Ford on guitar. By the following two tracks, 'Edinburgh' and 'Leaving Do' (a Nev Clay cover), harmonica player, Steve Calder, had joined the boys on stage. There was even more musical collaborations to join the now growing throng of musicians, and I couldn't believe how much of a transformation it made to the usually solo artists' songs. They went on to play a catalogue of Lake Poet songs including 'Shipyards', a song dear to Martin as he wrote this for his grandfather who had passed away. For the last tune the headliners of the night, Chased By Wolves, also joined the entourage on stage as they performed 'City By the Sea'. By this point there was a great buzz around the room and people seemed to be really enjoying themselves. It was great to see the mutual respect and support among these musicians without trying to upstage one another.
Just before the last act of the night, (the aforementioned Chased By Wolves), organiser Chris Atkinson, or Aky as he is known, thanked everyone for their support, to a hail of cheering. Finally, the last band entered the stage. These guys have a really unique sound and don't resemble anyone that is around at the moment. When listening to them with their American Southern style vocals, it is hard to believe that you're not in a bar in Louisianna, sipping bourbon. They opened with 'Black Horse', which got the crowd dancing around and really enjoying themselves. For the next number, 'Be My Love', Steve Calder once again took the stage for harmonica duties. The unique haunting guitar sound on this track makes the hairs on the back of my neck stand up. The last song of the evening 'Lost at Sea', a rockabilly, country number had several couples in the audience really going for it, in a dancing sense. A triumphant end to a superb nights' entertainment...and all for a great cause.
I can't recommend the local North East music scene enough and I feel very priveliged to be able to attend and support such wonderful talent.
Wednesday, 18 May 2011
Hyde & Beast
Saturday 7th May.
Tonight was the night that everyone had been talking about, albeit in excited, hushed tones. A "secret" gig at Independent, Sunderland. The much-awaited live debut of Hyde & Beast. The duo from Sunderland comprising of Futurehead drummer, Dave Hyde, and ex-Golden Virgins drummer Neil Bassett. However, word on the street was that they would be joined by several other well known local musicians for this eagerly anticipated event. Swollen to a six piece on the Little Room's small stage, and heralded by trumpet, they played a majestic set showcasing tracks from their forthcoming first album, 'Slow Down', due for release in July. I immediately fell in love with their retro 70's psychedelic sound. It was great to see local singer/songwriter (and former Bassett bandmate), Lucas Renney on guitar duties, rocking out like I'd never seen before. The third track reminded me very much of T.Rex's 'Hot Love'. During this song Lucas was really going for it, and I don't think I've ever seen him so animated! It was great fun to watch.
It was good to see Dave Hyde as a frontman, and despite the first night nerves, he looked remarkably comfortable up front. And a revelation to see Neil back behind the drumkit as opposed to his usual sound desk! It was hard to imagine that these guys hadn't been playing together for centuries. They were all so laid back and just appeared so right together. It was also strange to see Futureheads frontman, Barry Hyde on keyboards (and aforementioned trumpet!). The next song was really upbeat, and had a country/rockabilly feel to it, reminiscent of Johnny Cash. 'Go to Sleep' the next song, was a really quiet number and the vocals reminded me of George Harrison. Dave made a bit of a joke about it being their "first AND last gig", much to the select crowds' amusement. Although this gig was mostly for friends and family, the band went down a storm and I can't wait for the release of the album, and to catch their particular and unique brand of live magic again.
Tonight was the night that everyone had been talking about, albeit in excited, hushed tones. A "secret" gig at Independent, Sunderland. The much-awaited live debut of Hyde & Beast. The duo from Sunderland comprising of Futurehead drummer, Dave Hyde, and ex-Golden Virgins drummer Neil Bassett. However, word on the street was that they would be joined by several other well known local musicians for this eagerly anticipated event. Swollen to a six piece on the Little Room's small stage, and heralded by trumpet, they played a majestic set showcasing tracks from their forthcoming first album, 'Slow Down', due for release in July. I immediately fell in love with their retro 70's psychedelic sound. It was great to see local singer/songwriter (and former Bassett bandmate), Lucas Renney on guitar duties, rocking out like I'd never seen before. The third track reminded me very much of T.Rex's 'Hot Love'. During this song Lucas was really going for it, and I don't think I've ever seen him so animated! It was great fun to watch.
It was good to see Dave Hyde as a frontman, and despite the first night nerves, he looked remarkably comfortable up front. And a revelation to see Neil back behind the drumkit as opposed to his usual sound desk! It was hard to imagine that these guys hadn't been playing together for centuries. They were all so laid back and just appeared so right together. It was also strange to see Futureheads frontman, Barry Hyde on keyboards (and aforementioned trumpet!). The next song was really upbeat, and had a country/rockabilly feel to it, reminiscent of Johnny Cash. 'Go to Sleep' the next song, was a really quiet number and the vocals reminded me of George Harrison. Dave made a bit of a joke about it being their "first AND last gig", much to the select crowds' amusement. Although this gig was mostly for friends and family, the band went down a storm and I can't wait for the release of the album, and to catch their particular and unique brand of live magic again.
Sunday, 15 May 2011
Viva City Album Review
After reading my online blog, I was asked by Trev Cairns of Viva City, if I would review their new album 'Phobia'. Of course I agreed, my first album review! Having seen these guys play live on several occasions, some of the songs on the album were already familiar to me, the final track, 'Hot Wax', being a firm favourite. If you like to listen to dancey, electro tunes with a bit of indie mixed in for good measure, then this album should definitely be in your collection. Viva City really know how to take 80's electro sounds and turn them on their head to make them current, and this is exactly what this album achieves. And if you're a Depeche Mode fan, watch out for track six, 'Western Front'. Anyone could be forgiven for thinking this was Dave Gahan and the Basildon boys at work. This is the first album from the Newcastle Glam Punk band, and it deserves to be played in every pub and club that prides itself in providing great dance music for its punters. When listening to this album, which includes a substantial number of tracks, it is hard to believe that it is the guys' debut album. From track one, right through to thirteen, the raw passion exuded is positivly electric. If this a taster of what's to come, I'm hungry!
Friday, 13 May 2011
Beats Happening # 45
Friday 6th May
The venue, Ashbrooke Cricket Club. This was the third time that I had attended a gig here, in the Ditchburn Suite. The first band to hit the stage was James and the Wolf, a four piece band. Energetic and heavy on guitar and drums. They played quite a short set of around 4 songs, to the good size crowd which had, by now, gathered. I would definitely recommend giving them a listen, and I'll be sure to catch them live again.
The second band of the night was Young Liar, an instrumental five piece hailed by NARC magazine as 'The Best Band in Newcastle'. By the end of the first track, the audience was really going mad. The second song had a really interesting, hypnotic beat that automatically induced mass head-nodding and foot-tapping. While listening to them I was reminded of 'My Bloody Valentine', yet 'It's Your IQ That's In Danger', had a hint of mid-era New Order. As I glanced around the room, it was hard to see anyone standing still. I felt the music these lads played was uniquelly different to any thing else around right now, but just what you want to boogie to. If you get the chance to see Young Liar live - take it! You really won't be disappointed.
It was gone 10 o'clock and time for the main attraction. After a 12 day tour of Europe, headliners Coal Train were back on home territory and wasn't I pleased. Opening with 'Wish List', it was great to see them rejuvenated and full of energy. Especially frontman, Richard Amundsen, who had been off his feet for a while after a sporting injury. Not that you would ever have known from the way he was bouncing all over the stage! Their second track, last years' single release 'Building Dens' is one of my favourites and it was going down great with the rest of the room. By this point, the crowd had all moved forward and were very receptive. The next song 'Black Dog', was requested and Richard announced that although they played it on tour they hadn't played it in Sunderland for some time.
For the next track, John Beattie left the familiar comfort of his keyboard and picked up a guitar. This I thought amazing as I had never witnessed this before. This was an instrumental track called 'Karma of Fractures', quickly followed by another new number, both of which went down really well with the audience, as it would appear that everyone gathered were big Coal Train fans. Richard went on to dedicate the next track 'Eight Hours', to Lake Poets, Martin Longstaff and his girlfriend, Laura, for their help that evening. The final song of the evening was new single 'Carry You on My Shoulders'. This track, although starting slower paced, once again had the hardcore fans nodding along in time to the music. I have to say, although I am a massive fan of the band, and have seen them live many times, this for me was their best gig yet. If you haven't listened to Coal Train, get on board! Check them out on Myspace, Soundcloud or Last FM, and be prepared to be blown away.
The venue, Ashbrooke Cricket Club. This was the third time that I had attended a gig here, in the Ditchburn Suite. The first band to hit the stage was James and the Wolf, a four piece band. Energetic and heavy on guitar and drums. They played quite a short set of around 4 songs, to the good size crowd which had, by now, gathered. I would definitely recommend giving them a listen, and I'll be sure to catch them live again.
The second band of the night was Young Liar, an instrumental five piece hailed by NARC magazine as 'The Best Band in Newcastle'. By the end of the first track, the audience was really going mad. The second song had a really interesting, hypnotic beat that automatically induced mass head-nodding and foot-tapping. While listening to them I was reminded of 'My Bloody Valentine', yet 'It's Your IQ That's In Danger', had a hint of mid-era New Order. As I glanced around the room, it was hard to see anyone standing still. I felt the music these lads played was uniquelly different to any thing else around right now, but just what you want to boogie to. If you get the chance to see Young Liar live - take it! You really won't be disappointed.
It was gone 10 o'clock and time for the main attraction. After a 12 day tour of Europe, headliners Coal Train were back on home territory and wasn't I pleased. Opening with 'Wish List', it was great to see them rejuvenated and full of energy. Especially frontman, Richard Amundsen, who had been off his feet for a while after a sporting injury. Not that you would ever have known from the way he was bouncing all over the stage! Their second track, last years' single release 'Building Dens' is one of my favourites and it was going down great with the rest of the room. By this point, the crowd had all moved forward and were very receptive. The next song 'Black Dog', was requested and Richard announced that although they played it on tour they hadn't played it in Sunderland for some time.
For the next track, John Beattie left the familiar comfort of his keyboard and picked up a guitar. This I thought amazing as I had never witnessed this before. This was an instrumental track called 'Karma of Fractures', quickly followed by another new number, both of which went down really well with the audience, as it would appear that everyone gathered were big Coal Train fans. Richard went on to dedicate the next track 'Eight Hours', to Lake Poets, Martin Longstaff and his girlfriend, Laura, for their help that evening. The final song of the evening was new single 'Carry You on My Shoulders'. This track, although starting slower paced, once again had the hardcore fans nodding along in time to the music. I have to say, although I am a massive fan of the band, and have seen them live many times, this for me was their best gig yet. If you haven't listened to Coal Train, get on board! Check them out on Myspace, Soundcloud or Last FM, and be prepared to be blown away.
Monday, 9 May 2011
Rejuvenation - Goth/Electro All-Dayer
Sunday 1st May
I arrived at the Riverside in Newcastle at 4.00pm. I was expecting to see lots of young goths and was ready to stand out from the crowd. I paid my money, entered the venue and made my way to the bar. The glances I received from the bar staff, convinced me that my 70's style print dress was not in keeping with the other punters in the room. Basically, I stood out like a sore thumb! I had already missed the first band and as I glanced around the room I was reminded of the 'Titty Twister' vampire bar from the film 'Dusk Til Dawn'. From what I could see of the crowd, there wasn't anyone who looked under the age of 25. This immediately made me feel at ease, oddly enough. It was then time for the next band, THELASTCRY, to take to the stage. These guys, a three piece Gothic rock band from Brighton, were not what I was expecting. They had a similar kind of sound to Thirty Seconds to Mars, which I liked. Heavy sounds of synths and drums, without either of these instruments appearing on stage, strangely. The last song they played was the title track to their album and could have very much been a Depeche Mode song, as vocalist, Birchs' voice sounded so like Dave Gahan's. Birch was also interesting to watch, clutching at his head in a dramatic, tormented way, reminiscent of the singer from Linkin Park. I really enjoyed this band and I was now looking forward to see what was in store from some of the other acts playing.
Next on stage was the reason I was here in the first place. My husbands' cousin from Essex, a member of the five piece goth band, 'The Scary Bitches'. They opened up with the title track from one of their albums, 'Lesbian Vampires From Outer Space'. By now there was quite a crowd and they were starting to move forwards. This track went down really well, and it was obvious that they were popular with the audience. This band have a really fun element going on and don't take themselves too seriously, although they are by no means a novelty band. The next song was the title track to their new album 'Island of the Damned'. Most of the women in this band are of a certain age, with the exception of the younger drummer, and have great names such as Alma Geddon, Deadri Ranslid and Bet the Lincher. All taken from Coronation Street characters! Although mostly dressed in black, the singer was sporting a Victorian style dress and a red top hat and military style jacket. The next track, 'The Woman who Killed Jack the Ripper', started with the bassist quoting from a letter by the Ripper himself and told the tale of a potential victim turning out to be a vampire. You can guess the rest! By this time, the younger members of the crowd were dancing around and really enjoying themselves. They played one of their old favourites, 'Piss all over your Grave'. Written about the person who ran off with the singers lover ("we're best friends now!"). As I looked around I thought that some of the people there wouldn't have looked out of place in a Tim Burton film. They finished with another favourite, 'You'll end up Looking Like the Scary Bitches', their theme tune. Very entertaining!
The next band on stage - 'Death Boy', a four piece industrial band from London, were definitely not like any of the other bands that had played so far. They were a heavy guitar based band and unfortunately didn't appear to hold the attention of the crowd, as many took this opportunity to go outside for a cigarette (some, quite literally, turning to ash in the sunlight I imagined!) The second track started off with a bit of an oriental style sound to it, and there was very few members of the crowd watching. There was nothing gothic or punk like about this band. In fact I just couldn't find anything interesting about them.
The final band that I was able to stay and watch was 'Luxury Stranger', a three piece alternative, post punk band from Nottingham. When they started to play, the crowds started to wander back into the venue. Looking at their appearance, they reminded me of the Cure, as the singer had the same sort of look as Robert Smith. However, when he started to sing it was clear that he wasn't inspired musically by them. The bass player had a look of local musician, Trev Cairns, from Newcastle based Viva City! By the time they played their second track, 'Paradise Untouched', it was obvious that their image did not reflect their music at all as they had a sort of punk/electro image but sounded more 'pub rock'. We were told that the next song 'Empty Man' is to be their next single and the vocals on this track reminded me of a heavy metal come rock style tune.
Out of the bands that I watched I most definitely would like to hear more of Scary Bitches and TheLastCry. Although two very different bands, they were both very entertaining in their own way.
I arrived at the Riverside in Newcastle at 4.00pm. I was expecting to see lots of young goths and was ready to stand out from the crowd. I paid my money, entered the venue and made my way to the bar. The glances I received from the bar staff, convinced me that my 70's style print dress was not in keeping with the other punters in the room. Basically, I stood out like a sore thumb! I had already missed the first band and as I glanced around the room I was reminded of the 'Titty Twister' vampire bar from the film 'Dusk Til Dawn'. From what I could see of the crowd, there wasn't anyone who looked under the age of 25. This immediately made me feel at ease, oddly enough. It was then time for the next band, THELASTCRY, to take to the stage. These guys, a three piece Gothic rock band from Brighton, were not what I was expecting. They had a similar kind of sound to Thirty Seconds to Mars, which I liked. Heavy sounds of synths and drums, without either of these instruments appearing on stage, strangely. The last song they played was the title track to their album and could have very much been a Depeche Mode song, as vocalist, Birchs' voice sounded so like Dave Gahan's. Birch was also interesting to watch, clutching at his head in a dramatic, tormented way, reminiscent of the singer from Linkin Park. I really enjoyed this band and I was now looking forward to see what was in store from some of the other acts playing.
Next on stage was the reason I was here in the first place. My husbands' cousin from Essex, a member of the five piece goth band, 'The Scary Bitches'. They opened up with the title track from one of their albums, 'Lesbian Vampires From Outer Space'. By now there was quite a crowd and they were starting to move forwards. This track went down really well, and it was obvious that they were popular with the audience. This band have a really fun element going on and don't take themselves too seriously, although they are by no means a novelty band. The next song was the title track to their new album 'Island of the Damned'. Most of the women in this band are of a certain age, with the exception of the younger drummer, and have great names such as Alma Geddon, Deadri Ranslid and Bet the Lincher. All taken from Coronation Street characters! Although mostly dressed in black, the singer was sporting a Victorian style dress and a red top hat and military style jacket. The next track, 'The Woman who Killed Jack the Ripper', started with the bassist quoting from a letter by the Ripper himself and told the tale of a potential victim turning out to be a vampire. You can guess the rest! By this time, the younger members of the crowd were dancing around and really enjoying themselves. They played one of their old favourites, 'Piss all over your Grave'. Written about the person who ran off with the singers lover ("we're best friends now!"). As I looked around I thought that some of the people there wouldn't have looked out of place in a Tim Burton film. They finished with another favourite, 'You'll end up Looking Like the Scary Bitches', their theme tune. Very entertaining!
The next band on stage - 'Death Boy', a four piece industrial band from London, were definitely not like any of the other bands that had played so far. They were a heavy guitar based band and unfortunately didn't appear to hold the attention of the crowd, as many took this opportunity to go outside for a cigarette (some, quite literally, turning to ash in the sunlight I imagined!) The second track started off with a bit of an oriental style sound to it, and there was very few members of the crowd watching. There was nothing gothic or punk like about this band. In fact I just couldn't find anything interesting about them.
The final band that I was able to stay and watch was 'Luxury Stranger', a three piece alternative, post punk band from Nottingham. When they started to play, the crowds started to wander back into the venue. Looking at their appearance, they reminded me of the Cure, as the singer had the same sort of look as Robert Smith. However, when he started to sing it was clear that he wasn't inspired musically by them. The bass player had a look of local musician, Trev Cairns, from Newcastle based Viva City! By the time they played their second track, 'Paradise Untouched', it was obvious that their image did not reflect their music at all as they had a sort of punk/electro image but sounded more 'pub rock'. We were told that the next song 'Empty Man' is to be their next single and the vocals on this track reminded me of a heavy metal come rock style tune.
Out of the bands that I watched I most definitely would like to hear more of Scary Bitches and TheLastCry. Although two very different bands, they were both very entertaining in their own way.
Tuesday, 3 May 2011
Frankie & the Heartstrings
Friday 22nd April
Well Good Friday and what a way to start the hols. Frankie & the Heartstrings were playing the newly refurbished Independent. A trip down memory lane going back to their early days. The first band up were The Eyes, a five piece from Sunderland. They had a raw, fast paced 60's sound, and it was obvious that they were influenced by the likes of The Doors, The Who and, more recently, Last Shadow Puppets. However, their first track had a very Shadows-esque guitar sound. Another of their tracks was reminiscent of Oasis' 'The Importance of Being Idle'. Although it was early, there was already a good crowd and the atmosphere was really upbeat. I did enjoy the opening act but, if I had any critisism, it would be that there wasn't much of a connection between band and audience, and the songs weren't clearly introduced. Having said that, I think once the singer gets a little more confidence that issue will be sorted. I would like to go and watch this band again as their style of music really appealed to me.
The next support were The Neat, a four piece group from Hull. These guys are already signed to the Chewing Gum record label, which was started by two members of The Kaiser Chiefs (and their influence was noticable). They launched straight into their first song without any introduction. The singers' voice reminded me a little of John Lydon. These guys had lots of energy from the off. Their second song 'In Youth is Pleasure' is their new single.
The singer had a great stage presence. They went on to play 'New Kids', and 'Doodle', both tracks quirky and punky, then slowed down the pace with their next track, 'Good in Bed'. Finally, they introduced their last song 'Hits' ("available on Itunes" we were duly informed). These guys went down really well with the now noisy crowd.
Finally it was time for the main attraction, local heroes, Frankie & the Heartstrings. The place was heaving for this, the band's homecoming gig, and the audience was studded with Sunderland rock royalty, including the odd Futurehead and Brewis brother (Field Music). They opened with the ever popular 'Possibilities', much to the crowds delight. Their second track, new single, 'That Postcard', saw Frankie doing his now classic, familiar dance moves. The frontman proudly explained that this was their first sell-out gig in their home town. The third song 'Tender' had the crowd going wild and singing along, Frankie holding the microphone out over the gathered faithful. Although I have watched this band several times, it was great to see them on a bigger stage with plenty of room for the singer to move around. During 'I Want You Back', Frankie was totally seducing the crowd. The band played 'Obvious' and then announced the first of the two new tracks they'd be debuting tonight. Always one for a bit of banter, the frontman apologised for his new "bad" haircut, at which point tunesmith and guitarist Michael commented on how important this was to the band, much to everyone's amusement. The next two tracks, 'Photograph' and 'Ungrateful' had the crowd bouncing and clapping along.
Before the second of their new tracks, Frankie thanked Field Music and the Futureheads for being an inspiration. He then made a special dedication to Ben and Paul from Independent for their support over the years. 'Don't Look Surprised' saw him once again playing to the crowd. Standing on a monitor, supporting himself on the low ceiling beams, his shirt buttons having gradually become undone, he looked every inch the modern day swashbuckler! He is a great, natural frontman and every bit the showman. It was then time for a Sunderland sing-a-long, with the crowd "Oh, oh, oh, oh, oh, ohhhing" throughout album title track 'Hunger' and by the final song of the night, 'Fragile', the crowd were going absolutely beserk. The band left the stage, all except drummer, Dave Harper, who decided to dive into the throng for a spot of triumphant crowd surfing. What an amazing finish to a fantastic gig, and I have to say my all time favourite one from Frankie & the Heartstrings.
Well Good Friday and what a way to start the hols. Frankie & the Heartstrings were playing the newly refurbished Independent. A trip down memory lane going back to their early days. The first band up were The Eyes, a five piece from Sunderland. They had a raw, fast paced 60's sound, and it was obvious that they were influenced by the likes of The Doors, The Who and, more recently, Last Shadow Puppets. However, their first track had a very Shadows-esque guitar sound. Another of their tracks was reminiscent of Oasis' 'The Importance of Being Idle'. Although it was early, there was already a good crowd and the atmosphere was really upbeat. I did enjoy the opening act but, if I had any critisism, it would be that there wasn't much of a connection between band and audience, and the songs weren't clearly introduced. Having said that, I think once the singer gets a little more confidence that issue will be sorted. I would like to go and watch this band again as their style of music really appealed to me.
The next support were The Neat, a four piece group from Hull. These guys are already signed to the Chewing Gum record label, which was started by two members of The Kaiser Chiefs (and their influence was noticable). They launched straight into their first song without any introduction. The singers' voice reminded me a little of John Lydon. These guys had lots of energy from the off. Their second song 'In Youth is Pleasure' is their new single.
The singer had a great stage presence. They went on to play 'New Kids', and 'Doodle', both tracks quirky and punky, then slowed down the pace with their next track, 'Good in Bed'. Finally, they introduced their last song 'Hits' ("available on Itunes" we were duly informed). These guys went down really well with the now noisy crowd.
Finally it was time for the main attraction, local heroes, Frankie & the Heartstrings. The place was heaving for this, the band's homecoming gig, and the audience was studded with Sunderland rock royalty, including the odd Futurehead and Brewis brother (Field Music). They opened with the ever popular 'Possibilities', much to the crowds delight. Their second track, new single, 'That Postcard', saw Frankie doing his now classic, familiar dance moves. The frontman proudly explained that this was their first sell-out gig in their home town. The third song 'Tender' had the crowd going wild and singing along, Frankie holding the microphone out over the gathered faithful. Although I have watched this band several times, it was great to see them on a bigger stage with plenty of room for the singer to move around. During 'I Want You Back', Frankie was totally seducing the crowd. The band played 'Obvious' and then announced the first of the two new tracks they'd be debuting tonight. Always one for a bit of banter, the frontman apologised for his new "bad" haircut, at which point tunesmith and guitarist Michael commented on how important this was to the band, much to everyone's amusement. The next two tracks, 'Photograph' and 'Ungrateful' had the crowd bouncing and clapping along.
Before the second of their new tracks, Frankie thanked Field Music and the Futureheads for being an inspiration. He then made a special dedication to Ben and Paul from Independent for their support over the years. 'Don't Look Surprised' saw him once again playing to the crowd. Standing on a monitor, supporting himself on the low ceiling beams, his shirt buttons having gradually become undone, he looked every inch the modern day swashbuckler! He is a great, natural frontman and every bit the showman. It was then time for a Sunderland sing-a-long, with the crowd "Oh, oh, oh, oh, oh, ohhhing" throughout album title track 'Hunger' and by the final song of the night, 'Fragile', the crowd were going absolutely beserk. The band left the stage, all except drummer, Dave Harper, who decided to dive into the throng for a spot of triumphant crowd surfing. What an amazing finish to a fantastic gig, and I have to say my all time favourite one from Frankie & the Heartstrings.
Tuesday, 26 April 2011
Old Friends Bookends
Friday 15th April.
It was time for OF/B#9. On this occasion relocated over the road at Plugged Inn, instead of the usual Independent which, at the time, was in its final stages of rennovation. First on stage was acoustic singer/songwriter, Amy Holford from Newcastle. Cautiously approaching the mic and, jokingly, commenting that she "obviously wasn't worthy of an introduction" she launched into a selection of her own songs, the first being 'Crush'. Her voice was absolutely breathtaking. Unbelievably powerful. She then went on to sing a few more of her own tunes, explaining how the fourth song was meant to be one thing and then, after breaking up with her boyfriend, how it became another, more angry song. She was really appreciative of the audience and commented that it was great that people were actually listening to her. She sang a song that she had written for her grandfather who had recently died of cancer, and the passion was unmistakeable in her voice. She decided to sing her last song acapella, a cover of 'Wayfaring Stranger', previously recorded by Johnny Cash and Eva Cassidy, whom she said was her inspiration. Performing it gospel style, it was execeptional and well received by the crowd. If you get the chance to hear this girl sing, do so!
Next up was Skylark Song. A very folkie boy/girl duo also from Newcastle. Their first song 'Sirens' featured female vocals whilst the guy played acoustic guitar. Switching duties for the second song, the guy sang with the girl playing violin and providing the harmony. These guys had a very layed back 70's pastoral feel to them, and wouldn't have been out of place in an Irish country pub. Just as I was thinking this, they introduced their cover of 'Scarborough Fair'. As a big fan of Simon and Garfunkel I was a little apprehensive. However, I really enjoyed the male/female harmonies. It was a much more folkie version that could have been played in a medieval courtyard. I loved it and it was very fitting for Old Friends Bookends. They then went on to play a bluesy number called 'River', and then the Eric Clapton version of old standard 'Nobody knows you when you're down and out'. Not my thing at all as I'm not a Clapton fan. Their last song, 'Underneath the Roots' was another bluesy number with a really heavy guitar sound.
Finally the headline band, Hhymn, took to the stage. A five piece Indie/folk band from Nottingham. By the time they played their third track I was really getting into their sound. I found them interesting with the different mix of instruments which, although traditional, were very current sounding. This song had a really haunting guitar sound that gave it depth. The band explained that they were at the back end of their tour and were on the verge of releasing their album (of which I bought the very first one!) The next song 'Wolves' featured a trumpet which brought an element of the mariachi sound you hear in Spaghetti Westerns! It was incredible and the drummer was so entertaining to watch as he semed so lost in the moment. They went on to play 'Kilimanjaro' a free download track that isn't on the album. They then played an upbeat track called 'Girl of Mine'. The final song 'On My Mind', started out with a very 60's Motown beat, which I noticed had the crowd bopping around on the spot. I would definitely recommend the album. It has some cracking tunes and I hope these guys venture up to the North East again, sometime soon.
It was time for OF/B#9. On this occasion relocated over the road at Plugged Inn, instead of the usual Independent which, at the time, was in its final stages of rennovation. First on stage was acoustic singer/songwriter, Amy Holford from Newcastle. Cautiously approaching the mic and, jokingly, commenting that she "obviously wasn't worthy of an introduction" she launched into a selection of her own songs, the first being 'Crush'. Her voice was absolutely breathtaking. Unbelievably powerful. She then went on to sing a few more of her own tunes, explaining how the fourth song was meant to be one thing and then, after breaking up with her boyfriend, how it became another, more angry song. She was really appreciative of the audience and commented that it was great that people were actually listening to her. She sang a song that she had written for her grandfather who had recently died of cancer, and the passion was unmistakeable in her voice. She decided to sing her last song acapella, a cover of 'Wayfaring Stranger', previously recorded by Johnny Cash and Eva Cassidy, whom she said was her inspiration. Performing it gospel style, it was execeptional and well received by the crowd. If you get the chance to hear this girl sing, do so!
Next up was Skylark Song. A very folkie boy/girl duo also from Newcastle. Their first song 'Sirens' featured female vocals whilst the guy played acoustic guitar. Switching duties for the second song, the guy sang with the girl playing violin and providing the harmony. These guys had a very layed back 70's pastoral feel to them, and wouldn't have been out of place in an Irish country pub. Just as I was thinking this, they introduced their cover of 'Scarborough Fair'. As a big fan of Simon and Garfunkel I was a little apprehensive. However, I really enjoyed the male/female harmonies. It was a much more folkie version that could have been played in a medieval courtyard. I loved it and it was very fitting for Old Friends Bookends. They then went on to play a bluesy number called 'River', and then the Eric Clapton version of old standard 'Nobody knows you when you're down and out'. Not my thing at all as I'm not a Clapton fan. Their last song, 'Underneath the Roots' was another bluesy number with a really heavy guitar sound.
Finally the headline band, Hhymn, took to the stage. A five piece Indie/folk band from Nottingham. By the time they played their third track I was really getting into their sound. I found them interesting with the different mix of instruments which, although traditional, were very current sounding. This song had a really haunting guitar sound that gave it depth. The band explained that they were at the back end of their tour and were on the verge of releasing their album (of which I bought the very first one!) The next song 'Wolves' featured a trumpet which brought an element of the mariachi sound you hear in Spaghetti Westerns! It was incredible and the drummer was so entertaining to watch as he semed so lost in the moment. They went on to play 'Kilimanjaro' a free download track that isn't on the album. They then played an upbeat track called 'Girl of Mine'. The final song 'On My Mind', started out with a very 60's Motown beat, which I noticed had the crowd bopping around on the spot. I would definitely recommend the album. It has some cracking tunes and I hope these guys venture up to the North East again, sometime soon.
Sunday, 17 April 2011
Tom Williams and The Boat
Monday 11th April
I had arrived at Plugged Inn at Sunderlands Homeside a little later than intended and found that I had missed the first support, a young singer/songwriter from Gateshead called Megan Ramsey, who was performing for the first time. The next support was also a singer/songwriter, this time from Cramlington called Craig Wasahlo. His voice was very melodic and pleasurable to listen to. By his third track, "Heroes and Villians", Craig gave some background of this song telling the audience that it was an old song written when he was really into comic books. He then played his new track "Black and Grey", which went down really well with the crowd. He finished his set with another song about comics, for which he sort of appologised. His voice reminded me a little of Aled Turner from Kids in Glass Houses. However, any Frank Turner fans should check this guy out as he has a similar style.
It was time for Tom Williams and the Boat and as the Kent six piece took their places on stage I was really excited. I had seen these guys for the first time at Pumphrey's, in Newcastle at the end of 2010, where there was a very intimate gathering (i.e. a handful of people!). I had really liked their stuff and was looking forward to seeing them again, especially as they were promoting their new album "Too Slow". They opened up with one of the tracks from the album, "24". Their second track of the night was their new single, "Concentrate". This track features a violin and I really like the different dimension that this instrument brings. It's this that makes Tom Williams and the Boat stand out from other bands for me.
They then played "90MPH", an upbeat track from the album. They then introduced their next song "Little Bit in Me", as "a new oldie". They continued to play more tracks from the album, some of which are really bluesy numbers. Their last one of the night "Get Older" has a real Texan style edge to it, and features a really heavy drum beat throughout. This time around the guys had lots more room to move around and this really made a difference to the performance, as when I had previously watched them they were all squashed into a tiny area. There was also a good size crowd this time too, as they have gained popularity, partly due I guess to their recent airings on 6 Music.
I would really recommend that you try and catch these guys as they are fantastic, and I can't praise the new album enough. It is brilliant.
I had arrived at Plugged Inn at Sunderlands Homeside a little later than intended and found that I had missed the first support, a young singer/songwriter from Gateshead called Megan Ramsey, who was performing for the first time. The next support was also a singer/songwriter, this time from Cramlington called Craig Wasahlo. His voice was very melodic and pleasurable to listen to. By his third track, "Heroes and Villians", Craig gave some background of this song telling the audience that it was an old song written when he was really into comic books. He then played his new track "Black and Grey", which went down really well with the crowd. He finished his set with another song about comics, for which he sort of appologised. His voice reminded me a little of Aled Turner from Kids in Glass Houses. However, any Frank Turner fans should check this guy out as he has a similar style.
It was time for Tom Williams and the Boat and as the Kent six piece took their places on stage I was really excited. I had seen these guys for the first time at Pumphrey's, in Newcastle at the end of 2010, where there was a very intimate gathering (i.e. a handful of people!). I had really liked their stuff and was looking forward to seeing them again, especially as they were promoting their new album "Too Slow". They opened up with one of the tracks from the album, "24". Their second track of the night was their new single, "Concentrate". This track features a violin and I really like the different dimension that this instrument brings. It's this that makes Tom Williams and the Boat stand out from other bands for me.
They then played "90MPH", an upbeat track from the album. They then introduced their next song "Little Bit in Me", as "a new oldie". They continued to play more tracks from the album, some of which are really bluesy numbers. Their last one of the night "Get Older" has a real Texan style edge to it, and features a really heavy drum beat throughout. This time around the guys had lots more room to move around and this really made a difference to the performance, as when I had previously watched them they were all squashed into a tiny area. There was also a good size crowd this time too, as they have gained popularity, partly due I guess to their recent airings on 6 Music.
I would really recommend that you try and catch these guys as they are fantastic, and I can't praise the new album enough. It is brilliant.
Tuesday, 12 April 2011
Detroit Social Club
Friday 8th April
I arrived at Plugged Inn based at the Homeside, in Sunderland, at 8.30pm. I knew Detroit Social Club were not going on until about 10ish, but I wanted to make sure that I had a good spot as I knew that it would be busy. By 9pm there was roughly 30 to 40 people there. The support band, a four piece from Newcastle, came on stage and launched into their first song. Once finished the singer introduced the band - The Matadors along with the title of the next song, "Spanish Beast". Immediately I knew that I was going to like them. They were loud and to me, the singers voice was reminiscent of Alex Turner of the Arctic Monkeys. The next track that they played was called "Lock and Key". This reminded me of Pigeon Detectives "I Found Out". Another track and band that I like. Finally they finished their set with a track called "Dancing in Shadows". This song had a really catchy military sounding drum beat. They were well recieved and I would definitely recommend that you try to catch them.
By the time DSC was due to come on stage, the place was absolutely heaving. The 10 tickets held back by the venue had been quickly snapped up and the gig was a complete sell out, which is nothing new when they play their native North East. Burn seemed pleased to be playing in Sunderland where he said they hadn't played for about 18 months. (He must have forgotten they played Split Festival, in September last year). They opened with early single, "Rivers and Rainbows" to mass cheering as the crowd surged forwards, towards the stage. The sound was far superior to their last gig at Durham Live Lounge. Singer David Burn's vocals were spot on until the beginning of the second track, "Kiss the Sun", when all of a sudden he couldn't be heard. It turned out that someone had knocked a drink over near the sound engineer's desk and he had to quickly turn everything off briefly,to save the equipment blowing up! David proceeded to have some banter with the crowd about being a Sunderland fan and then, ironically, launched into "Black and White", much to the crowds amusement. He sang this song more as an acoustic version. The lights were turned off and the band could not be seen from where I was standing as it was too dark. The venue definitely needs to look at getting some uplighters for the front of the stage. They continued to play the tracks from their album, "Existence". By 10.45 it was starting to thin out slightly. By now frontman Burn, had ditched his guitar and was doing his now familiar shamanic moves, in which he becomes totally wrapped up in the moment. The second last song of the night was one of my favourites, "Northern Man", to which he totally rocked it out. Once again he had the crowd chanting Sunderland songs and I had to remind myself that I was at a gig and not at a football match. Their final song of the night was new single, "I am Revolution", the first release on their own label, FuckPop Records. A hooky, instantly memorable slice of psych-rock which serves as a perfect taster for the second phase of the newly independent Detroit Social Club.
I arrived at Plugged Inn based at the Homeside, in Sunderland, at 8.30pm. I knew Detroit Social Club were not going on until about 10ish, but I wanted to make sure that I had a good spot as I knew that it would be busy. By 9pm there was roughly 30 to 40 people there. The support band, a four piece from Newcastle, came on stage and launched into their first song. Once finished the singer introduced the band - The Matadors along with the title of the next song, "Spanish Beast". Immediately I knew that I was going to like them. They were loud and to me, the singers voice was reminiscent of Alex Turner of the Arctic Monkeys. The next track that they played was called "Lock and Key". This reminded me of Pigeon Detectives "I Found Out". Another track and band that I like. Finally they finished their set with a track called "Dancing in Shadows". This song had a really catchy military sounding drum beat. They were well recieved and I would definitely recommend that you try to catch them.
By the time DSC was due to come on stage, the place was absolutely heaving. The 10 tickets held back by the venue had been quickly snapped up and the gig was a complete sell out, which is nothing new when they play their native North East. Burn seemed pleased to be playing in Sunderland where he said they hadn't played for about 18 months. (He must have forgotten they played Split Festival, in September last year). They opened with early single, "Rivers and Rainbows" to mass cheering as the crowd surged forwards, towards the stage. The sound was far superior to their last gig at Durham Live Lounge. Singer David Burn's vocals were spot on until the beginning of the second track, "Kiss the Sun", when all of a sudden he couldn't be heard. It turned out that someone had knocked a drink over near the sound engineer's desk and he had to quickly turn everything off briefly,to save the equipment blowing up! David proceeded to have some banter with the crowd about being a Sunderland fan and then, ironically, launched into "Black and White", much to the crowds amusement. He sang this song more as an acoustic version. The lights were turned off and the band could not be seen from where I was standing as it was too dark. The venue definitely needs to look at getting some uplighters for the front of the stage. They continued to play the tracks from their album, "Existence". By 10.45 it was starting to thin out slightly. By now frontman Burn, had ditched his guitar and was doing his now familiar shamanic moves, in which he becomes totally wrapped up in the moment. The second last song of the night was one of my favourites, "Northern Man", to which he totally rocked it out. Once again he had the crowd chanting Sunderland songs and I had to remind myself that I was at a gig and not at a football match. Their final song of the night was new single, "I am Revolution", the first release on their own label, FuckPop Records. A hooky, instantly memorable slice of psych-rock which serves as a perfect taster for the second phase of the newly independent Detroit Social Club.
Wednesday, 6 April 2011
Matt Stalker & Fables Album Launch
Friday 1st April
I arrived at Independent in Sunderland really excited about the evening ahead. Not only was I at a gig that I knew I was going to enjoy, (big fan of the band), I was also at my first album launch. Matt Stalker & Fables had already returned from a tour of New Zealand where they had first launched the album. First on stage was a North East favourite, singer/song writer, Nev Clay. He took his place on stage and picked up his guitar. I couldn't believe that the audience didn't take any notice and most of them continued their conversation. Nev made a comment about feeling free to carry on chatting as it was friday night. This still didn't make people embarassed enough to shut up. I was seething. Nev appeared not to take any notice, just playing his songs and having a bit banter with those of us in the crowd who had the decency to listen. He played the last of his songs and thanked the audience.
Finally the moment had arrived that we were all there to witness. Matt (the vocalist)opened the set with a solo performance that strangely wasn't from the album. It was phenomenal and Matt was overwhelmed at the turnout of around 150 for the launch. He was then followed onstage by the Fables, cellist, Jenny Nendick and drummer Baz Crosby. As it was a special evening the band had been extended to include some amazing guest musicians - on double bass, Joss Elliott, Olivia Cameron and Jonathan Trevor on strings, Ged Robinson on vibrophone and the talented Adam James Cooper on a selection of instruments.
They played the title track "The Man Who Said This Died of Alchemy", followed by pretty much every track from the album, my personal favourite being "Apostrophe, Catastrophe". They also played their version of Radioheads "Let Down", renamed by Matt as "Let Down Gently", as it is a softer, acoustic version of the song. They finished with another favourite of mine, "This is Our Mantra Now", a strong contender for the next single. They left the stage briefly only to return to play a further few tracks. Firstly, Leonard Cohens "Hallelujah", which went down really well with the audience. They finished with Elbows' "A Day Like This", which I absolutely loved as I am not a fan of Elbow, But somehow, the velvety tone of Matts voice, enriched the song for me.
As this was an album launch, I would also like to review the album. Matt told me that this album has been 10 years in the making. All I can say is that it is an absolutely amazing album and should be in everyones' collection. Please take the time to listen to this album. I can promise that you won't be disappointed.
I arrived at Independent in Sunderland really excited about the evening ahead. Not only was I at a gig that I knew I was going to enjoy, (big fan of the band), I was also at my first album launch. Matt Stalker & Fables had already returned from a tour of New Zealand where they had first launched the album. First on stage was a North East favourite, singer/song writer, Nev Clay. He took his place on stage and picked up his guitar. I couldn't believe that the audience didn't take any notice and most of them continued their conversation. Nev made a comment about feeling free to carry on chatting as it was friday night. This still didn't make people embarassed enough to shut up. I was seething. Nev appeared not to take any notice, just playing his songs and having a bit banter with those of us in the crowd who had the decency to listen. He played the last of his songs and thanked the audience.
Finally the moment had arrived that we were all there to witness. Matt (the vocalist)opened the set with a solo performance that strangely wasn't from the album. It was phenomenal and Matt was overwhelmed at the turnout of around 150 for the launch. He was then followed onstage by the Fables, cellist, Jenny Nendick and drummer Baz Crosby. As it was a special evening the band had been extended to include some amazing guest musicians - on double bass, Joss Elliott, Olivia Cameron and Jonathan Trevor on strings, Ged Robinson on vibrophone and the talented Adam James Cooper on a selection of instruments.
They played the title track "The Man Who Said This Died of Alchemy", followed by pretty much every track from the album, my personal favourite being "Apostrophe, Catastrophe". They also played their version of Radioheads "Let Down", renamed by Matt as "Let Down Gently", as it is a softer, acoustic version of the song. They finished with another favourite of mine, "This is Our Mantra Now", a strong contender for the next single. They left the stage briefly only to return to play a further few tracks. Firstly, Leonard Cohens "Hallelujah", which went down really well with the audience. They finished with Elbows' "A Day Like This", which I absolutely loved as I am not a fan of Elbow, But somehow, the velvety tone of Matts voice, enriched the song for me.
As this was an album launch, I would also like to review the album. Matt told me that this album has been 10 years in the making. All I can say is that it is an absolutely amazing album and should be in everyones' collection. Please take the time to listen to this album. I can promise that you won't be disappointed.
Monday, 4 April 2011
Glasvegas
Sunday 27th March
This was one that I was really looking forward to. Independent, a club in Sunderland putting on its biggest gig to date. From early on it was busy. There was a real buzz about the place. The support was a singer songwriter from Scotland. I didn't really catch her name and, to be honest, she wasn't grabbing my attention either. Although she had a good voice, every song sounded the same.
The roadies finished up and it was time for the main attraction. Glasvegas ambled onstage to Beethoven's Moonlight Sonata, which the band used as a backing track to their song 'Stabbed' from their first album, and then launched straight into new track, 'The World is Yours'. A few songs into the set, the heckling started, with someone shouting "Do your f***ing job!". A strange request, as I thought that was what they were doing anyway. It didn't just stop there though, as other members of the crowd started to join in with the taunting. As supporters of the band started to shout abuse at the minority that were spoiling the gig, I feared the band would walk off stage at any moment. But it wasn't the case. Singer James Allan, dressed head to toe in white denim jacket and jeans (and a very 80's vest!) appealed to the mob to let the heckler have his say. After being accused of miming, the frontman joked "Why would we mime out of tune?" Furthermore changing the lyrics during "Polmont on my Mind" to "what do I have to do to prove i'm not miming?" much to the crowds' amusement. From then on the band, which included new female drummer, Jonna, had best part of the audience eating out of their hands.
Apart from two covers, 'Moon River' and the Ronettes' 'Be my Baby',and new songs, 'Euphoria, Take my Hand' and possible future single 'Shine Like Stars', most of the setlist was from their debut, self-titled album. I do have to say that although most of those gathered were enjoying the band, there were times when I wondered why some people had actually paid to come in, as they talked non-stop throughout the whole set. This took all of my self control not to turn around and tell them to shut up or get out! I hope that this is the start of things to come with regards to the music scene in Sunderland, as it would be great to see more of the bigger bands coming to Sunderland and not just Newcastle.
This was one that I was really looking forward to. Independent, a club in Sunderland putting on its biggest gig to date. From early on it was busy. There was a real buzz about the place. The support was a singer songwriter from Scotland. I didn't really catch her name and, to be honest, she wasn't grabbing my attention either. Although she had a good voice, every song sounded the same.
The roadies finished up and it was time for the main attraction. Glasvegas ambled onstage to Beethoven's Moonlight Sonata, which the band used as a backing track to their song 'Stabbed' from their first album, and then launched straight into new track, 'The World is Yours'. A few songs into the set, the heckling started, with someone shouting "Do your f***ing job!". A strange request, as I thought that was what they were doing anyway. It didn't just stop there though, as other members of the crowd started to join in with the taunting. As supporters of the band started to shout abuse at the minority that were spoiling the gig, I feared the band would walk off stage at any moment. But it wasn't the case. Singer James Allan, dressed head to toe in white denim jacket and jeans (and a very 80's vest!) appealed to the mob to let the heckler have his say. After being accused of miming, the frontman joked "Why would we mime out of tune?" Furthermore changing the lyrics during "Polmont on my Mind" to "what do I have to do to prove i'm not miming?" much to the crowds' amusement. From then on the band, which included new female drummer, Jonna, had best part of the audience eating out of their hands.
Apart from two covers, 'Moon River' and the Ronettes' 'Be my Baby',and new songs, 'Euphoria, Take my Hand' and possible future single 'Shine Like Stars', most of the setlist was from their debut, self-titled album. I do have to say that although most of those gathered were enjoying the band, there were times when I wondered why some people had actually paid to come in, as they talked non-stop throughout the whole set. This took all of my self control not to turn around and tell them to shut up or get out! I hope that this is the start of things to come with regards to the music scene in Sunderland, as it would be great to see more of the bigger bands coming to Sunderland and not just Newcastle.
Sunday, 3 April 2011
John Grant
Tuesday 22nd March
"Sea of Bees" was the support for the evening. A singer, songwriter from California with her own unique style. She appeared to be quite over awed by the enormity of the venue, The Sage in Gateshead. She explained between songs where she had gained the inspiration to write them. I have to admit that this kind of music was not really to my taste, and other members of the audience also had the same opinion as several of them returned to the bar after the first song.
It was very apparent that the audience was eager for the main attraction to take the stage and as the lights went down and John Grant walked on, the place erupted. He was accompanied by a grand piano, analogue synths and his new pianist Chris. He opened the show with a new track "You don't have to", which is not on his critically acclaimed album, "Queen of Denmark". After a self confessed life of drug and alcohol abuse, John used the experiences to write the tracks for this, his first solo album, with the help of Texan, indie folk rockers, Midlake.
His between song banter explained how each song had come about. The track Marz, for example, is all about a sweet shop he used to go to as a child and most of the lyrics are taken from the shop's menu, to great effect. He went on to play other tracks from the album such as Chicken Bones, Sigourney Weaver and Outer Space, all of which relate to his life and his struggle of growing up gay in a strict, religous family in smalltown America
The crowd were hanging on every word and cheered enthusiastically, as John's velvety voice resounded around the room, with its perfect acoustics. He finished off the set with a couple of songs from his previous band The Czars; First was Drug and the second, Little Pink House, which was requested by a few members of the audience, admitting he hadn't played that particular track live in a number of years, he performed it admirably. Finally we were treat to the title track of the album "Queen of Denmark", and a much-deserved standing ovation ensued.
I can't wait to hear more from John and to see him tour again, and perhaps he may be able to bring Midlake with him, as he said he would like to.
"Sea of Bees" was the support for the evening. A singer, songwriter from California with her own unique style. She appeared to be quite over awed by the enormity of the venue, The Sage in Gateshead. She explained between songs where she had gained the inspiration to write them. I have to admit that this kind of music was not really to my taste, and other members of the audience also had the same opinion as several of them returned to the bar after the first song.
It was very apparent that the audience was eager for the main attraction to take the stage and as the lights went down and John Grant walked on, the place erupted. He was accompanied by a grand piano, analogue synths and his new pianist Chris. He opened the show with a new track "You don't have to", which is not on his critically acclaimed album, "Queen of Denmark". After a self confessed life of drug and alcohol abuse, John used the experiences to write the tracks for this, his first solo album, with the help of Texan, indie folk rockers, Midlake.
His between song banter explained how each song had come about. The track Marz, for example, is all about a sweet shop he used to go to as a child and most of the lyrics are taken from the shop's menu, to great effect. He went on to play other tracks from the album such as Chicken Bones, Sigourney Weaver and Outer Space, all of which relate to his life and his struggle of growing up gay in a strict, religous family in smalltown America
The crowd were hanging on every word and cheered enthusiastically, as John's velvety voice resounded around the room, with its perfect acoustics. He finished off the set with a couple of songs from his previous band The Czars; First was Drug and the second, Little Pink House, which was requested by a few members of the audience, admitting he hadn't played that particular track live in a number of years, he performed it admirably. Finally we were treat to the title track of the album "Queen of Denmark", and a much-deserved standing ovation ensued.
I can't wait to hear more from John and to see him tour again, and perhaps he may be able to bring Midlake with him, as he said he would like to.
Friday, 25 March 2011
Beats Happening # 44
Saturday 18th March
Well this was the night that I had waited for. The venue was Ashbrooke Cricket Club and from the minute the doors opened, people flooded in, soon filling the Ditchburn Suite to capacity. There was an exceptional buzz about the place that I hadn't really felt at any other gig. The support for the night was "We Beat the System". A local band, whom I never tire of watching perform. They opened with their now familiar "Karma Culprits", which went down really well with the audience. Every time I listen to this band perform, I actually forget that they are all under 18 years old, as Daniel's voice has a maturity way beyond his years. They are influenced by bands like Delphic and Editors and have an anthemic synth sound. They finished with "Exit", where it has become a ritual for Singer Daniel to leave the stage, and allow the band to conclude. If you haven't seen this band, I would definitely recommend that you go and see them when they next play. In my opinion, this band surely, are destined for greatness.
Finally it was time for the main event. I was really excited about this as it was the first time that I had seen them perform. Suddenly the screen on the back wall came alive with a visual display of seagulls and pigeons(as well as city commuters), going about their daily business, flying, eating and pecking (the birds that is!). First on stage to take his place at the drums was Red Rooster. The rest of the roost, consisting of Blue Tit, Green Gannet, Yellow Belly and White Swan soon followed. They were accompanied by two guests, Silver Sparrow on sax and Black Crow on a second set of drums. The crowd where going mad. Feathers had been given out by White Swan and Yellow Belly, which were quickly finding their way into peoples hair. Several of the audience were wearing finger puppets, the colours emulating our musical feathered friends.
I was really enjoying this experience which, for me, was made even more memorable by the onscreen visuals. I found myself being drawn into it, feeling that I was the bird flying around, over pylons and between telephone wires. The music and images complimented each other so well. During the performance, White Swan and Silver Sparrow made frequent visits out into the crowd, which went down really well, with chants of "Get Ya Beak On", echoing around the room. Old favourites as well as new tracks such as "Diving for Mackerel" from their recent free download "The Red Edition" went down a storm.
I really had enjoyed the evening (it was obvious the band were in their element too) and I can't wait to see B>E>A>K, with their unique, uplifting instrumental sound, play again. If you missed them you can check them out at Middlesbrough Empire in April. You won't be disappointed.
Well this was the night that I had waited for. The venue was Ashbrooke Cricket Club and from the minute the doors opened, people flooded in, soon filling the Ditchburn Suite to capacity. There was an exceptional buzz about the place that I hadn't really felt at any other gig. The support for the night was "We Beat the System". A local band, whom I never tire of watching perform. They opened with their now familiar "Karma Culprits", which went down really well with the audience. Every time I listen to this band perform, I actually forget that they are all under 18 years old, as Daniel's voice has a maturity way beyond his years. They are influenced by bands like Delphic and Editors and have an anthemic synth sound. They finished with "Exit", where it has become a ritual for Singer Daniel to leave the stage, and allow the band to conclude. If you haven't seen this band, I would definitely recommend that you go and see them when they next play. In my opinion, this band surely, are destined for greatness.
Finally it was time for the main event. I was really excited about this as it was the first time that I had seen them perform. Suddenly the screen on the back wall came alive with a visual display of seagulls and pigeons(as well as city commuters), going about their daily business, flying, eating and pecking (the birds that is!). First on stage to take his place at the drums was Red Rooster. The rest of the roost, consisting of Blue Tit, Green Gannet, Yellow Belly and White Swan soon followed. They were accompanied by two guests, Silver Sparrow on sax and Black Crow on a second set of drums. The crowd where going mad. Feathers had been given out by White Swan and Yellow Belly, which were quickly finding their way into peoples hair. Several of the audience were wearing finger puppets, the colours emulating our musical feathered friends.
I was really enjoying this experience which, for me, was made even more memorable by the onscreen visuals. I found myself being drawn into it, feeling that I was the bird flying around, over pylons and between telephone wires. The music and images complimented each other so well. During the performance, White Swan and Silver Sparrow made frequent visits out into the crowd, which went down really well, with chants of "Get Ya Beak On", echoing around the room. Old favourites as well as new tracks such as "Diving for Mackerel" from their recent free download "The Red Edition" went down a storm.
I really had enjoyed the evening (it was obvious the band were in their element too) and I can't wait to see B>E>A>K, with their unique, uplifting instrumental sound, play again. If you missed them you can check them out at Middlesbrough Empire in April. You won't be disappointed.
Thursday, 24 March 2011
Neville Staple
Friday 18th March
The venue was an old restaurant, currently being used to host gigs put on by Sunderland based promoters, Skinny Twins. As we went in we could already here music, which made us aware that the first band was already on stage. When we went downstairs I wasn't too surprised to see that there wasn't that many people in. The band playing were called "We are the Don" and are, as far as I am aware, a local band. I'm sad to say that the only thing that was memorable about them was that they had a female drummer. It wasn't that they were bad musicians or anything, there was just no atmosphere and they really failed to get the small crowd going.
Next to take the stage was a band from London called Krakatoa. As soon as this band started I just knew that I was going to enjoy them. There was now a slightly bigger crowd and people were cheering. As the band kicked off with their first song I was transported back my youth in the late 70's. This band really reminded me of the Undertones. There was something quite punky about them. This did however make me think that they were a bit of an unlikely support for Rude Boy Neville Staple. However, my theory was turned on its head by the time they started to play their third song as a familiar reggae beat started to burst its way through. I was really impressed with this band and one of their songs had a "heavily borrowed" basline from the Clashes "Guns of Brixton". This band had a more energetic vibe about them and really had the crowd going. If you like Ska Punk I would definitely recommend that you check these guys out on Myspace.
Finally, the moment had arrived. The original Rude Boy was taking the stage. I looked around and could not believe how small the crowd was. I had been at this venue a couple of months previous to see the Beat, and the place had been jumping. The crowd may have been small but the cheering and chants of "Rude Boy" did not depict that of a small crowd. Neville launched into a collection of ska standards and Specials favourites. Every song brought the participation of the crowd, each shouting out their favourite ska song. Neville and his band continued to keep the crowd entertained and although he's no spring chicken, his energy on stage could be felt, as it passed through the crowd. He took the time to have a bit banter with the crowd, which went down well, and returned to do two encores, much to the crowds delight.
I was lucky enough to get back stage and meet Neville, who signed my husbands copy, of his autobiography. He also stopped to take the time to chat to fans and was more than happy to have his photograph taken. Very much a showman I would more than recommend seeing Neville and his band play, even if you're not into that kind of music. It's the man himself and his persona that made the night memorable. I for one, am really looking forward to seeing them play Skinny Twins Festival at Rainton Meadows Arena, in June.
The venue was an old restaurant, currently being used to host gigs put on by Sunderland based promoters, Skinny Twins. As we went in we could already here music, which made us aware that the first band was already on stage. When we went downstairs I wasn't too surprised to see that there wasn't that many people in. The band playing were called "We are the Don" and are, as far as I am aware, a local band. I'm sad to say that the only thing that was memorable about them was that they had a female drummer. It wasn't that they were bad musicians or anything, there was just no atmosphere and they really failed to get the small crowd going.
Next to take the stage was a band from London called Krakatoa. As soon as this band started I just knew that I was going to enjoy them. There was now a slightly bigger crowd and people were cheering. As the band kicked off with their first song I was transported back my youth in the late 70's. This band really reminded me of the Undertones. There was something quite punky about them. This did however make me think that they were a bit of an unlikely support for Rude Boy Neville Staple. However, my theory was turned on its head by the time they started to play their third song as a familiar reggae beat started to burst its way through. I was really impressed with this band and one of their songs had a "heavily borrowed" basline from the Clashes "Guns of Brixton". This band had a more energetic vibe about them and really had the crowd going. If you like Ska Punk I would definitely recommend that you check these guys out on Myspace.
Finally, the moment had arrived. The original Rude Boy was taking the stage. I looked around and could not believe how small the crowd was. I had been at this venue a couple of months previous to see the Beat, and the place had been jumping. The crowd may have been small but the cheering and chants of "Rude Boy" did not depict that of a small crowd. Neville launched into a collection of ska standards and Specials favourites. Every song brought the participation of the crowd, each shouting out their favourite ska song. Neville and his band continued to keep the crowd entertained and although he's no spring chicken, his energy on stage could be felt, as it passed through the crowd. He took the time to have a bit banter with the crowd, which went down well, and returned to do two encores, much to the crowds delight.
I was lucky enough to get back stage and meet Neville, who signed my husbands copy, of his autobiography. He also stopped to take the time to chat to fans and was more than happy to have his photograph taken. Very much a showman I would more than recommend seeing Neville and his band play, even if you're not into that kind of music. It's the man himself and his persona that made the night memorable. I for one, am really looking forward to seeing them play Skinny Twins Festival at Rainton Meadows Arena, in June.
Monday, 21 March 2011
Primal Scream Screamadelica
Wednesday 16th March
It was the gig that I had least been interested in seeing, as I am not a big Primal Scream fan. I had seen them when they had toured a couple of years ago, and frankly they just didn't do it for me. But as my husband is a big fan, I had decided to go with him. As we arrived to take our seats,(could only get seated tickets), the place was buzzing full of people, mostly men, all around a certain age. The lights dimmed and the first band, The Sexual Objects, came on stage. As they started belting out their tunes I found myself thinking how like a ramshackle, early T Rex they sounded. They played half a dozen songs or so and seemed to go down well enough with the audience. I will certainly be keeping my eyes open for any more gigs by this bunch as I really enjoyed their sound.
Finally it was time for the main attraction. The roadies left the stage and the crowd went wild. Bobby Gilespie came on stage dressed in a black suit and red shirt. On first impression I was reminded of the child catcher from Chitty Chitty Bang Bang. All he was missing was a large net and a black top hat.
As he came on stage he asked "Are you ready to testify? Are you ready to move on up?". At this the rest of the band, having taken their places launched into album opener "Moving on Up". I had been listening to the album all day and had decided that I actually did like this album, which has been quoted as "The record that changed rock'n'roll forever", because for the first time indie rock and dance music had "come together". The band were accompanied on stage by a huge screen displaying a spectrum of visual delight, including the now iconic cover art, that left me feeling that I had been on acid. During "Inner Flight" the visuals made me feel like i was floating around in a giant lava lamp!
They didn't play the album in order as they were keeping the hits like "Come Together" and "Loaded" until the end. During "Don't fight it, Feel it", there was a spectacular laser show, which only enhanced the already 'glad I came' feeling that I was now enjoying, and totally delighted the crowd, transporting them back to early 90's acid house clubland
The mainly instrumental tracks from the album were embellished by Bobby launching into old American standard "Who do you Love", during "Loaded" and incorporating the 'Farley mix' vocals into their rendition of "Come Together". As they went off stage the audience went wild. Upstairs in the seated area, everyone was on their feet cheering and applauding. The security just couldn't handle the crowd and finally gave up telling them to sit down. For their encore, Bobby explained that although it was "Screamadelica", thay had played the whole album, so asked if we wanted to "hear some rock n roll?" before launching into later hits, "Country Girl","Jailbird" and "Rocks". Although it's been nearly 20 years since "Screamadelica" was first released, it was obvious that this album is still as popular now as it was back then.
It was the gig that I had least been interested in seeing, as I am not a big Primal Scream fan. I had seen them when they had toured a couple of years ago, and frankly they just didn't do it for me. But as my husband is a big fan, I had decided to go with him. As we arrived to take our seats,(could only get seated tickets), the place was buzzing full of people, mostly men, all around a certain age. The lights dimmed and the first band, The Sexual Objects, came on stage. As they started belting out their tunes I found myself thinking how like a ramshackle, early T Rex they sounded. They played half a dozen songs or so and seemed to go down well enough with the audience. I will certainly be keeping my eyes open for any more gigs by this bunch as I really enjoyed their sound.
Finally it was time for the main attraction. The roadies left the stage and the crowd went wild. Bobby Gilespie came on stage dressed in a black suit and red shirt. On first impression I was reminded of the child catcher from Chitty Chitty Bang Bang. All he was missing was a large net and a black top hat.
As he came on stage he asked "Are you ready to testify? Are you ready to move on up?". At this the rest of the band, having taken their places launched into album opener "Moving on Up". I had been listening to the album all day and had decided that I actually did like this album, which has been quoted as "The record that changed rock'n'roll forever", because for the first time indie rock and dance music had "come together". The band were accompanied on stage by a huge screen displaying a spectrum of visual delight, including the now iconic cover art, that left me feeling that I had been on acid. During "Inner Flight" the visuals made me feel like i was floating around in a giant lava lamp!
They didn't play the album in order as they were keeping the hits like "Come Together" and "Loaded" until the end. During "Don't fight it, Feel it", there was a spectacular laser show, which only enhanced the already 'glad I came' feeling that I was now enjoying, and totally delighted the crowd, transporting them back to early 90's acid house clubland
The mainly instrumental tracks from the album were embellished by Bobby launching into old American standard "Who do you Love", during "Loaded" and incorporating the 'Farley mix' vocals into their rendition of "Come Together". As they went off stage the audience went wild. Upstairs in the seated area, everyone was on their feet cheering and applauding. The security just couldn't handle the crowd and finally gave up telling them to sit down. For their encore, Bobby explained that although it was "Screamadelica", thay had played the whole album, so asked if we wanted to "hear some rock n roll?" before launching into later hits, "Country Girl","Jailbird" and "Rocks". Although it's been nearly 20 years since "Screamadelica" was first released, it was obvious that this album is still as popular now as it was back then.
Tuesday, 15 March 2011
Detroit Social Club
Saturday 12th March
Welcome to my new look blog, showcasing the results of my recent photo shoot with photographer Ian West, whom I would like to thank for making me look so good I nearly didn't recognise myself! You can check out Ians work at www.ianwestphoto.com
Well Saturday was finally here. I'd been looking forward to this for weeks. Two of my favourite North East bands on the same stage. It was going to be magical. The venue was Durham Live Lounge, an old cinema where I had previously seen Viva City. The lights went down and Sonner, the first band, came on stage, to the chants of the crowd. These guys describe their music as "rock and roll with heart and soul", and they're not wrong. They draw inspiration from bands like Manic Street Preachers and the Small Faces, which is recognisable in vocalist Micheal Corkhill's husky voice. They played some new tracks, "The Call" and "We Go Forth Tonight",standing out in particular. These tracks are both featured on the new EP, to be launched at the O2 Academy in Newcastle on 29th April. By the time they launched into their final track of the night,old favourite "Green Park"
the place was jumping. It was a real pleasure to see these guys on a bigger stage, where they looked more than at home.
Next on stage was North East based, Moonlight Valentino. This band, were for me, reminiscent of Nickleback, but without the vocals of Chad Kroeger. These guys didn't really continue to keep the crowd entertained and engaged and I found their American soft rock approach ok, but forgetable.
It was 9.20,and the roadies had set up and left the stage. As Detroit Social Club came on, the gathered faithful erupted, with chants of "DSC". From where I was standing, I was struggling to hear frontman, David Burn, over the cheers of the crowd. This was to be the first of two home gigs to be played on the last leg of their tour. They started their set with their first single, "Rivers and Rainbows" taken from their debut album, "Existence", which was well received.
As they belted out one track after another from the album, the audience were at fever pitch, trying to grab vocalist David as he moved around the stage, in his now familiar, trademark style. As they played "Northern Man", it was obvious that this tune was a favourite with the masses. All too quickly it was time for the final track of the night, a psychadelic,blues,rock number, "I Am Revolution", their forthcoming new single, which is accompanied by some amazing artwork,by my hubby. This track was as well received as anything that DSC have produced in the past and went down a storm. Although I love this track, as with every band, we all have our favourites, and as I'm no exception, mine is still "Black and White". Also check out their version of the Neil Young classic, "Heart of Gold", which I can't recommend enough. Their final homecoming gig is to be played at Plugged Inn, Sunderland on 8th April. So hurry up and if you're lucky there may be tickets left, but if there are, it won't be for long.
Although the evening was fantastic, I did feel that the venue didn't lend itself, on this occassion, to the acoustics. At times the vocals were muffled and unclear, and this was definitely not the fault of the vocalists. Whether this was due to the sound engineer or the building, the question remains unanswered.
Welcome to my new look blog, showcasing the results of my recent photo shoot with photographer Ian West, whom I would like to thank for making me look so good I nearly didn't recognise myself! You can check out Ians work at www.ianwestphoto.com
Well Saturday was finally here. I'd been looking forward to this for weeks. Two of my favourite North East bands on the same stage. It was going to be magical. The venue was Durham Live Lounge, an old cinema where I had previously seen Viva City. The lights went down and Sonner, the first band, came on stage, to the chants of the crowd. These guys describe their music as "rock and roll with heart and soul", and they're not wrong. They draw inspiration from bands like Manic Street Preachers and the Small Faces, which is recognisable in vocalist Micheal Corkhill's husky voice. They played some new tracks, "The Call" and "We Go Forth Tonight",standing out in particular. These tracks are both featured on the new EP, to be launched at the O2 Academy in Newcastle on 29th April. By the time they launched into their final track of the night,old favourite "Green Park"
the place was jumping. It was a real pleasure to see these guys on a bigger stage, where they looked more than at home.
Next on stage was North East based, Moonlight Valentino. This band, were for me, reminiscent of Nickleback, but without the vocals of Chad Kroeger. These guys didn't really continue to keep the crowd entertained and engaged and I found their American soft rock approach ok, but forgetable.
It was 9.20,and the roadies had set up and left the stage. As Detroit Social Club came on, the gathered faithful erupted, with chants of "DSC". From where I was standing, I was struggling to hear frontman, David Burn, over the cheers of the crowd. This was to be the first of two home gigs to be played on the last leg of their tour. They started their set with their first single, "Rivers and Rainbows" taken from their debut album, "Existence", which was well received.
As they belted out one track after another from the album, the audience were at fever pitch, trying to grab vocalist David as he moved around the stage, in his now familiar, trademark style. As they played "Northern Man", it was obvious that this tune was a favourite with the masses. All too quickly it was time for the final track of the night, a psychadelic,blues,rock number, "I Am Revolution", their forthcoming new single, which is accompanied by some amazing artwork,by my hubby. This track was as well received as anything that DSC have produced in the past and went down a storm. Although I love this track, as with every band, we all have our favourites, and as I'm no exception, mine is still "Black and White". Also check out their version of the Neil Young classic, "Heart of Gold", which I can't recommend enough. Their final homecoming gig is to be played at Plugged Inn, Sunderland on 8th April. So hurry up and if you're lucky there may be tickets left, but if there are, it won't be for long.
Although the evening was fantastic, I did feel that the venue didn't lend itself, on this occassion, to the acoustics. At times the vocals were muffled and unclear, and this was definitely not the fault of the vocalists. Whether this was due to the sound engineer or the building, the question remains unanswered.
Sunday, 13 March 2011
The Naked and Famous
Monday 7th March
The Riverside in Newcastle was the venue, somewhere that i hadn't been before. The first band of the night were Newcastle based Viva City. These guys are a four piece electo indie band,and have been described as "glam Punk upstarts", very different and unique to any of the other local bands, and had soon captured the attention of the crowd. I have seen these guys on several occassions and they never fail to impress me. They played some new tracks,"Brother" and "Western Front" which for me were amazing. They finished with a track that had been mixed with Willow Smiths, "Whip My Hair". It went down a storm. Look out for their new album,"Phobia", due to be released this month.
Next on stage were London based Wolf Gang. I first saw these guys at a small intimate gig in Sunderland, and I was really looking forward to seeing them at a larger gig. They didn't disappoint and were well received. Wolf Gang is actually a guy called Max and I would definately recommend you check them out on Youtube, especially his rendition of Radioheads "Pyramid Song". I'm not a huge Radiohead fan, but my husband is and we both thought it was fantastic. Also look out for a track called "Lions in Cages". I guarentee you'll love it!
Finally it was time for the headline band, The Naked and Famous. As they came on stage the place erupted. This New Zealand band were clearly a big hit. I enjoyed their electro pop sound, but I wasn't madly excited by them. Perhaps if i listen to them a bit more they may grow on me, but it will be a long process.
The Riverside in Newcastle was the venue, somewhere that i hadn't been before. The first band of the night were Newcastle based Viva City. These guys are a four piece electo indie band,and have been described as "glam Punk upstarts", very different and unique to any of the other local bands, and had soon captured the attention of the crowd. I have seen these guys on several occassions and they never fail to impress me. They played some new tracks,"Brother" and "Western Front" which for me were amazing. They finished with a track that had been mixed with Willow Smiths, "Whip My Hair". It went down a storm. Look out for their new album,"Phobia", due to be released this month.
Next on stage were London based Wolf Gang. I first saw these guys at a small intimate gig in Sunderland, and I was really looking forward to seeing them at a larger gig. They didn't disappoint and were well received. Wolf Gang is actually a guy called Max and I would definately recommend you check them out on Youtube, especially his rendition of Radioheads "Pyramid Song". I'm not a huge Radiohead fan, but my husband is and we both thought it was fantastic. Also look out for a track called "Lions in Cages". I guarentee you'll love it!
Finally it was time for the headline band, The Naked and Famous. As they came on stage the place erupted. This New Zealand band were clearly a big hit. I enjoyed their electro pop sound, but I wasn't madly excited by them. Perhaps if i listen to them a bit more they may grow on me, but it will be a long process.
Tuesday, 8 March 2011
Old Friends Book Ends
Saturday March 4th
Old Friends Book Ends is a unique folkie, indie evening about once a month that is held at Independent in Sunderland. What it provides is the chance to listen to local and international musicians, in a small, friendly environment.
Saturday saw the 8th of these evenings and what a musical extravaganza it was. First of all the evening kicked off with North East based band, Chased by Wolves. This five piece band are absolutely amazing with more than a hint of bluesy rock. The vocals are shared between frontman guitarist Richard and female vocalist Elfy. The harmonising tones of their voices had me thinking i was sitting in a club in the deep south of the US. They went down a storm.
To follow was four piece band The Wooden Sky, from Ontario, Canada. I first saw these guys about 4 months ago at the same venue, where they just blew me away. I was excited to see if they lived up to my expectations and memories of their previous visit. And boy did they. I sat waiting with anticipation for them to play "Oh My God", a song that I have listened to so much and couldn't wait to hear live. They announced "this is our last song". At last my wait was over. They'd played it during sound check, so i knew this was it. It wasn't. I spoke to drummer Kip, who explained they didn't have time to play them all and had to lose a song. Never the less, they were still amazing, and were received with as much enthusiasm as they had when I first saw them.
The final act of the night was London based band, Dan Michaelson and the Coastguards, whose vocalist Dan used to be with band Absentee. I had heard one of their tracks,as it had been played on Radio 2's Radcliffe and Maconie show, but nothing had prepared me for how low and intoxicating his voice was. He reminded me of Leonard Cohen, or Tom Waits, slow and hesitant with a velvety undertone that draws the listener in to songs that are delivered, in an effortlessly, layed back fashion. Puting the finishing touches to an all together mind blowing evening.
I couldn't recommend any of these bands enough. If you see them playing anywhere, please take the time to check them out.
Old Friends Book Ends is a unique folkie, indie evening about once a month that is held at Independent in Sunderland. What it provides is the chance to listen to local and international musicians, in a small, friendly environment.
Saturday saw the 8th of these evenings and what a musical extravaganza it was. First of all the evening kicked off with North East based band, Chased by Wolves. This five piece band are absolutely amazing with more than a hint of bluesy rock. The vocals are shared between frontman guitarist Richard and female vocalist Elfy. The harmonising tones of their voices had me thinking i was sitting in a club in the deep south of the US. They went down a storm.
To follow was four piece band The Wooden Sky, from Ontario, Canada. I first saw these guys about 4 months ago at the same venue, where they just blew me away. I was excited to see if they lived up to my expectations and memories of their previous visit. And boy did they. I sat waiting with anticipation for them to play "Oh My God", a song that I have listened to so much and couldn't wait to hear live. They announced "this is our last song". At last my wait was over. They'd played it during sound check, so i knew this was it. It wasn't. I spoke to drummer Kip, who explained they didn't have time to play them all and had to lose a song. Never the less, they were still amazing, and were received with as much enthusiasm as they had when I first saw them.
The final act of the night was London based band, Dan Michaelson and the Coastguards, whose vocalist Dan used to be with band Absentee. I had heard one of their tracks,as it had been played on Radio 2's Radcliffe and Maconie show, but nothing had prepared me for how low and intoxicating his voice was. He reminded me of Leonard Cohen, or Tom Waits, slow and hesitant with a velvety undertone that draws the listener in to songs that are delivered, in an effortlessly, layed back fashion. Puting the finishing touches to an all together mind blowing evening.
I couldn't recommend any of these bands enough. If you see them playing anywhere, please take the time to check them out.
Wednesday, 2 March 2011
Dutch Uncles
Sunday 27th February
What an end to a great month of musical talent, currently hitting the pubs and clubs in Sunderland. The venue isn't the best, but at short notice it was available. First to hit the stage was Vintage Revolution, a four piece band from Sunderland. These guys didn't appear to have one main vocalist, as they swapped around depending on the style of song.
Next on stage was We Beat the System.These five young guys were absolutely amazing. Lead Vocalist Daniel Mason has a phenomenal voice. He stood on stage and as the band started to play and he started to sing, there was an instant buzz. I have heard these guys before and i was worried that the venue would restrict the sound of Daniels voice. But i wasn't disappointed. These guys are definately the ones to watch. They draw you in like a magnet.
The third band to stand up was Young British Artist. Not my sort of thing really and a bit none descript. Then at 11.15 Dutch Uncles were on stage. There was a resounding cheer as they burst into song. As each song ended there was rapturous applause from the audience, who included Barry Hyde, from the Futureheads and Frankie and the Heartsrings frontman Frankie Francis, drummer Dave Harper and guitarist Michael McKnight. Dutch Uncles are always well received in Sunderland and if you haven't heard them check them out on you tube. And whatever you do you must keep your eyes peeled for We Beat the System, as these guys are going to be massive.
What an end to a great month of musical talent, currently hitting the pubs and clubs in Sunderland. The venue isn't the best, but at short notice it was available. First to hit the stage was Vintage Revolution, a four piece band from Sunderland. These guys didn't appear to have one main vocalist, as they swapped around depending on the style of song.
Next on stage was We Beat the System.These five young guys were absolutely amazing. Lead Vocalist Daniel Mason has a phenomenal voice. He stood on stage and as the band started to play and he started to sing, there was an instant buzz. I have heard these guys before and i was worried that the venue would restrict the sound of Daniels voice. But i wasn't disappointed. These guys are definately the ones to watch. They draw you in like a magnet.
The third band to stand up was Young British Artist. Not my sort of thing really and a bit none descript. Then at 11.15 Dutch Uncles were on stage. There was a resounding cheer as they burst into song. As each song ended there was rapturous applause from the audience, who included Barry Hyde, from the Futureheads and Frankie and the Heartsrings frontman Frankie Francis, drummer Dave Harper and guitarist Michael McKnight. Dutch Uncles are always well received in Sunderland and if you haven't heard them check them out on you tube. And whatever you do you must keep your eyes peeled for We Beat the System, as these guys are going to be massive.
Subscribe to:
Posts (Atom)